[[{“value”:”Hidden above the stone vaults of Notre-Dame de Paris, the 13th-century timber structure that once supported the cathedral’s steep lead roof was so extensive it was known as “the forest”. When the cathedral caught fire in 2019, the flames spread quickly through the lattice of oak beams, each one hewn from an individual tree by
The post Recreating the past isn’t easy (but is possible) appeared first on Marginal REVOLUTION.”}]]
Hidden above the stone vaults of Notre-Dame de Paris, the 13th-century timber structure that once supported the cathedral’s steep lead roof was so extensive it was known as “the forest”. When the cathedral caught fire in 2019, the flames spread quickly through the lattice of oak beams, each one hewn from an individual tree by medieval carpenters. Around two-thirds of the roof was destroyed in the blaze.
By March 2024, the entire roof frame—la charpente in French—had been identically reconstructed by a small army of 21st-century carpenters trained in the traditional technique of working freshly harvested “green wood” by hand with an axe. (This time, however, the frame is protected against fire risks by an automatic misting system, thicker roof battens and fire-resistant trusses separating the spire from the nave and choir on either side of it.)
After generations of mechanisation, this ancient skill had almost disappeared in France when an association called Charpentiers Sans Frontières (Carpenters Without Borders) began promoting its revival in 1992. The movement’s workshops now attract volunteers from around the world. Among their members are father and son Rémy and Loïc Desmonts, whose specialist family business in Normandy shared the winning bid to restore Notre-Dame’s charpente with Ateliers Perrault, a large carpentry company near Angers with a track record of restoring historic monuments.
Here is more from Hannah McGivern at The Art Newspaper.
The post Recreating the past isn’t easy (but is possible) appeared first on Marginal REVOLUTION.
History, The Arts, Uncategorized
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